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Northern Beaver and The Great American vending machine company vending machine bank having four 75¢, three 50¢, and two 25¢ containers, 43.5"x19"x64"T. Pickup only.

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Living room set having green uph incl 75" sofa, two 34" armchairs, Two 19" side chairs, removable marble top coffee table 50"x23"x18", removable marble top side table 22"x22"x23.5", all having heavily carved ornate design throughout frame. Pickup only.

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Pair of matching book shelves with two removable wood shelves over two doors having metal pulls 33"x15"x77.5" T. Pickup only.

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Sectional sofa with brown corduroy fabric uph having removable cushions 8'x8'. Pickup only.

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Two pallets of tools incl jack stands, floor jacks, sockets, combination wrench, various hardware, clippers, drill bits, etc. Pickup only.

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Disassembled cubicle having four 50"x49" walls, and six 27"x49" walls with four filing cabinets and assorted connecting joints. Pickup only.

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10 commercial heat and A/C units model numbers incl 52CEA312301AA, and 2K21S236A, all having covers, 42"x20.5"x16"T. Pickup only.

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Pulleys varying in size some sizes incl 3x606, 3x607, 3x608, 3x575, 3x602, 3x601,etc, over 100 pulleys in total. Pickup only.

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Framed and unframed artwork incl abstract oil on canvas, still life oil on board, artwork on metal plate of boy signed lower right appearing to be "F.H.C.Maheria" #446/950, etc, largest being 31.5"x28".

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21 boxes of "Be Fine Food Skin Care" gentle cleaner with sugar, mint, oats, and rice, each boxes containing 24 packages each. Pickup only.

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FACE MASK. Kwele people, Gabon/ Cameroon/ Equatorial Guinea. The face of this rare mask has three pairs of eyes with only the middle pair perforated. A knob on the inside was held in the mouth of the wearer. Wood, pigment. H 13in. Exhibited Free Library Gallery, Philadelphia 2012. Published in Rosen, Rosen 2013 p. 171 Fig 241. Also see Bacquart 1998 p. 123.

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FACE MASK. Anang (Ibibio) people, Nigeria. This complex mask depicts a rearing horse encircle by a snake. A spotted fish is perched on the snake on one side. On the other side, the head of the snake is held between the outstretched arms of a standing male figure. The horse is a reference to the Nigerian coat of arms and the snake refers to Mami Wata, a water goddess. Hence, the fish. The face is decorated with markings typically found on Anang masks. A rubber strap cut from the inner tube of a bicycle tire is attached to the back of the mask. Wood, pigment, rubber strap. H 20in. For examples of related masks see Rosen, Rosen 2013 pp. 149-150. Also see Drewal 2008

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FINE PROCESSIONAL CROSS. Coptic Christian people, Ethiopia. The zigzag design forming an arch around the cross represents the rays of the sun. Text in Coptic script decorates the shaft. This small icon would be used as a personal altar. Silver/nickel alloy. H 9in.

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KNEELING CHIEF. Kuba people, Democratic Republic of Congo. Wood. H 10.5in.

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WOODEN LIDDED SERVING BOWL WITH PELICAN. Lozi people, Zambia. Wood, pigment. H 7.5in W 8.5in. See Bacquart 1998 p. 201.

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ASAFO MILITIA COMPANY FLAG. Fante people, Ghana. This flag is a graphic representation of the proverb, “Our ship is ready to sail; it can carry a load of any size”. The message is that the No.1 Company is ready to confront and overcome any domestic or military challenge. This rare flag can be dated between 1964 and 1966 because during this period the yellow stripe in the Ghana national flag was replaced with a white stripe. Other unusual features are the absence of a border and the serrated fringe. Cotton textile with hand sewn figures and embroidered details. Identical images on both sides. L 65in. W 35.5in. This flag is published in “Emblems of Power. Asafo Flags from Ghana”. This book is only available from the authors at ppr2001@med.cornell.edu.

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ANKLET CURRENCY. Mbole/ Jonga/ Hamba people, Democratic Republic of Congo. Worn mainly by women, these anklets were a store of wealth because of the great value of copper. They were used as currency for commercial and marriage transactions (bride wealth). Probably dating from the early 20th century with the darkened patina of old copper. On custom base. Copper. 7in. diameter.

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FACE MASK. Dan Guerre people, Liberia. This fierce mask features the horns of a bush cow and the tusks of a wild pig, both known to be very dangerous prey of hunters. The dome is encrusted with libations and sprouts a bent nail that “energizes” the mask. Wood, pigment, libations, nail. H 12in.

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HEADRESTS (2). Arse people, Ethiopia. (A) Carved designs on the conical base and flanges at the ends of the curved top. Wood, pigment, cloth. H 6.5in. (B) Humanoid pedestal. Carved designs. Wood, pigment. H 7.5in.

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GOLD WEIGHTS (6). Ivory Coast. Sankofa bird on pyramidal base; scorpion; deer; porpoise; stork; mythical animal with horns and long tail. Cast brass. 2-3in.

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PENDANTS: CROSS (4) AND STAR OF DAVID (2). Coptic Christian people, Ethiopia. 20th century. Nickel/silver alloy. 1.5-3in.

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FACE MASK (NGIL). Fang people, Gabon/ Equatorial Guinea/ Cameroon. Worn by a member of the Ngil Society, the masker appears at night illuminated by torches during initiation ceremonies or to punish criminals. Wood, kaolin clay pigment. H 18.5in.

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WOMAN’S WRAP. Ewe people, Ghana. This extraordinary textile consists of 14 hand woven, hand sewn strips, each with a different pattern. The offset placement of the weft blocks endows the cloth with vibrant energy. Cotton. L 84in W 45in.

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FOREHEAD MASK (GEH-NAW). Bassa people, Liberia. Representing a non-human spirit of the Nor Society, this mask is worn attached to a woven basketry framework. Wood, pigment. H 9in. Exhibited at Free Library Gallery Philadelphia 2011. Published in Rosen, Rosen 2013 p.57 Fig 64.

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HELMET MASK. Bembe people, Democratic Republic of Congo. The Janus mask presents the face of a forest spirit with two pairs of large, oval eyes and horns. Wood, pigment. H 17in.

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BOGOLAN (MUD CLOTH) TEXTILE. Bamana people, Mali. Unusual example depicting many animals and birds. Five hand woven, hand sewn strips of cotton country cloth. L 82in. W 24in.

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BYERI FIGURE. Fang people, Gabon/ Equatorial Guinea/ Cameroon. This is a guardian statue placed on a Byeri box holding the bones of important ancestors. It is stabilized by a wooden peg arising from the buttocks. The metal disc eyes, hands clasped on the abdomen, and bent knees are characteristic features. Holes in the coiffure at the back of the head held feathers. Wood, pigment, metal, raffia. H 22.5in. See Bacquart 1998 pp. 124-126.

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CEREMONIAL/PARADE KNIFE. Kundu/Konda people, Democratic Republic of Congo. The shaft of the wood handle is wrapped in braided copper wire, the upper part is wrapped in sheet copper, and the knob at the base is copper decorated with brass tacks. Copper and brass in any form were highly prized prestige items in Africa in the 18th and 19th centuries. The front of the body and upper arms are decorated with incised linear and zig-zag lines that are obscured by rust. Prestige knives such as this dating from the colonial era were sometimes used in important barter transactions. On custom base. Wood, iron, copper, brass. H17.5in. See “Tribal Arms Monograph”. Vol #2 “Execution Knives & Derivatives” by Christian Gosseau, Brussels 1997 Figs 87-88. This may be the only published description of this rare prestige knife.

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SOWEI HELMET MASK. Sherbro people, Sierra Leone. Collected in Sumbuya Town. Helmet masks of the Sherbro, Mende and other peoples of Sierra Leone are carved by men to be worn exclusively by women during the initiation ceremonies of the Sande Society for girls. In this culture, facial features (nose, eyes, mouth, and ears) are accorded less importance than the fine quality of a girl’s hair and the glow of her skin as indicators of good health, and the dome of her forehead denoting intelligence. These features are fully embodied in this mask with very abundant, finely carved hair drawn into six long braids, the large domed forehead, and the disproportionately small facial features. The entire face is exceptionally low, appearing to displace the neck rings. On custom base. Wood, pigment. H 16in. Published in Rosen, Rosen 2013 p. 44 Fig. 45.

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GONGOLI MASK. Mende people, Sierra Leone. Gongoli is an entertainment masquerade that appears at Sande initiation ceremonies. The mask is worn by a man dressed in a ragged costume who is accompanied by boys and men banging on bottles and cans. The masks are purposely ugly with grossly large noses, eyes, mouths, and ears that are the antithesis of the Sowei mask. Faded white paint indicates the hair and eyebrows of an old man, as well as ugly cheek scarifications. The knob at the bottom of the mask is a beard. This mask dates from the late 19th or early 20th century. Wood, pigment. H 23in. Exhibited at Free library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p. 54 Fig. 59.

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WOMAN’S DANCE SKIRT PANEL. Kuba people, Shoowa tribe, Democratic Republic of Congo. Unusual features of this hand woven, cut pile, embroidered textile are the checkerboard-like elements, the use of red pigment, and the complex interlocking geometric designs. Raffia, cotton thread, pigment. L 80in. W 23in. See Gillow 2003 pp. 196-197.

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HEADDRESS MASK. Budja people, Democratic Republic of Congo. This mask is the abstract representation of a mythical animal with features of an antelope and a cockatoo-like bird. It is attached to a nest-like basket woven from plant fibers. Abrus precatorius seeds are embedded in a resinous material at the top of the crest. On custom base. Wood, pigment, plant fibers, resin, Abrus seeds. H 19in. Exhibited at Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p. 178 Fig. 251. See Bacquart 1998 p. 136.

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HEAD CREST MASK. Temne people, Sierra Leone. The base of this blue Ode-Lay Society mask displays three female faces. Arching upward is the bust of a fierce composite animal with the body of a snake, the head of a goat, and the horns of an antelope. A voluminous costume enveloping the wearer was hung from nails in the base. Wood, paint, nails. H 29in (without horns). Exhibited Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p. 73 Figs. 90-91.

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APPLIQUED WALL HANGING. Fon people, Benin. This textile displays a variety of hand sewn colorful images referring to the power of the Fon kings. The lion is the symbol of King Gelele and the shark refers to King Gbehanzin. The tradition for these wall hangings dates from the mid-18th century. Cotton cloth. L 64in. W 29in. See Gillow 2003 p.95.

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HAND AND STRING PUPPETS. Ghana. (A) Male hand puppet with calabash head and hands, cowrie shell eyes, wood pipe, and colorful wax print cloth. Custom base. H 17in. (B) Female string puppet articulated at shoulders, elbows, waist, hips, and knees. Wears wax print dress and kerchief and white sandals. H 15.5in.

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INDIGO DYED ADIRE ALEKO CLOTH. Yoruba people, Nigeria. The designs are hand drawn with lafun starch resist paste on a square grid before the cloth is immersed in indigo dye. It is signed on the reverse side “SK” with a wagon wheel-like symbol. Several squares have the inscription “O.M. OLEREAIYEO”. Cotton cloth. L 75in. W 66in. See Gillow 2003 pp. 78-82.

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CEREMONIAL WRAP (DUNA) AND WEAVING SWORD. Nupe people, Nigeria. (A) Fringed Duna cloths were used at weddings to wrap around the shoulders of the bride and groom to denote the formation of a new family. Woven by a woman on an upright loom, it consists of 2 broad strips that are joined by hand selvedge to selvedge. In addition to abstract designs of symbolic significance, there are images of ducks. Hand woven cotton cloth. L 76in. W 50in. See Gllow 2003 pp. 56-57. (B) Nupe weaving sword of the type used to weave a Duna cloth with a figural head. The notch at the pointed end is used to hold yarn when it is passed between warp threads. Excellent patina from long use. Wood L 32in.

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BRACELETS (4) AND PENDANT (1). (A) Beaded bangle. Bamana people, Mali. Collected in Dejenne. 3.25in. (B) Silver alloy bracelet with incised black designs. Taureg people, Mali. 2.5in. (C) Brass bracelet with stamped designs. Made from melted obsolete coins. Collected in Accra Ghana. 2.5in. (D) Twisted copper, brass and iron. Kenya 2.75in. (E) Pendant. Asante people, Ghana. Brass. 2.75in.

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KIFWEBE FACE MASK. Songye people, Democratic Republic of Congo. Kifwebe masks were danced at funerals for deceased members of the Bwadi Society, initiations of new members, healing ceremonies, and to intimidate enemies. More recently, they appear at entertainments. Lacking a prominent sagittal crest, this is an old female mask with finely carved channels. Much of the red pigment on the protruding mouth and the white pigment on the surface has been lost over time. Wood, pigment. H 23in. See Rosen, Rosen 2013 pp. 174-77 and Bacquart 1998 pp.168-69.

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MODEL OF COFFIN. Ga people, Ghana. This model for a fisherman’s coffin was collected from the shop of the famous coffin-maker, Paa Joe, in Teshie, Ghana east of Accra. The hinged back with dorsal fin swings open to expose the space for the body. Paa Joe is world famous for having created such novel coffins in such shapes as a Mercedes car for a taxi driver, a screw driver for a carpenter, an onion for a famer, and a Coke bottle for a soft drink salesman. His coffins have been widely exhibited in museums and galleries. Wood, paint, hinge. L 16.25in. H 7.5in.

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SEATED CHIEF. Ewe people, Ghana. Wood, paint. H 12.5in.

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MALE ANCESTOR FIGURE. Luba people, Kasongo Democratic Republic of Congo. The long beard is a sign of wisdom and age. Wood, pigment. H 13.5in.

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CEREMONIAL AX. Lobi people, Burkina Faso. The handle is in the form of a cobra. The base of the shaft is encircled by a snake, crocodiles appear mid-shaft, and frogs are at the top. The opening in the blade displays a chameleon. On custom base. Cast brass H 14.5in. Weight 2.2lbs.

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WOMEN’S INDIGO WRAPS (3). Dafing people, Burkina Faso. Made from hand sewn strips hand woven with indigo-dyed cotton yarn. All extremely soft from repeated washing yet retaining vibrant blue color. (A) Design of alternating pale stripes and bands. L 60in. W 36in. (B) Tie dyed block pattern with Xs at ends. L 60in. W 45in. (C) Pale narrow stripes and 2 broad bands. Native repairs. L 55in. W 33in.

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MAMI WATA FETISH STATUE. Fante people, Ghana. Mami Wata is called Mamme Water in Ghana. She is an African divinity worshipped throughout West and Central Africa, and parts of South and East Africa, the Caribbean Islands and parts of Latin America, she is associated with snakes and water. Her powers relate to wealth, morality and health all of which can be enhanced or denied depending on a person’s behavior and the way in which she is worshipped. On custom base. Wood, paint. H 16in. See Drewal 2008 pp. 170-87.

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CEREMONIAL AX (ZAPOZAP). Luba people, Democratic Republic of Congo. Carried as a status symbol. On custom base. Wood, iron. H 14.5in.

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KPELIYE FACE MASK. Senufo people, Ivory Coast. This finely carved mask is surmounted by a hornbill bird and the horns of a buffalo. A peg-like beard protrudes below the mouth and bent legs support the bottom. This mask appears at Poro Society ceremonies. Wood, pigment. H 12in. See Bacquart 1998 p. 74.

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ASAFO MILITIA FLAG. Fante people, Ghana. This old flag probably dates from the 1930s. It celebrates the multiple roles of the Asafo Company Chief. The seated figure refers to his judicial function and the standing figure with a sword indicates his military prowess. The third figure holds a round object covered with dots. This image refers to members of a rival Company who are often depicted as harmless ants, as in the proverb, “When an egg falls among black ants, let it lie, for they will walk all over it without causing the egg harm”. The canton is a modified Union Jack. Cotton textile, hand sewn with embroidered details. Native repairs consisting of hand sewn patches one of which is damask. L 55.5in. W 34in. Exhibited Free Library Gallery Philadelphia 2013 and SMA Fathers Museum of African Art Tenafly NJ 2014. Published in “Emblems of Power. Asafo Flags from Ghana” by MS Rosen and PP Rosen 2013 p. 85. This book is only available from the authors at ppr2001@med.cornell.edu.

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MAN’S KENTE ROBE. Ewe people, Agbozume Ghana. Old cloth consisting of 20 hand woven and hand sewn strips all having the same warp design. Set against this background are weft blocks of varying size and prominence distributed in a dramatic asymmetric pattern. Cotton. L 93in. W 66in. See Gillow 2003 pp. 38-42.

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CEREMONIAL PRESTIGE AX. Kirdi people, Nigeria/Cameroon. Reportedly used as brideprice in Obomasso village, Nigeria. Said to resemble the head of an antelope. Early 20th century. On custom base. Iron, copper wire. H 12.5in. W13.75in.

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RITUAL PUPPET. Sukuma people, Tanzania. Puppets like this were used as mediums for communicating with ancestors at funerals. The absence of arms and asexual form are typical of these ritual sculptures. The indistinct eyes are indicated with rusted nails. The legs are articulated at the hips with strings held in place by beads. Seated on custom base. Wood, string, beads, nails. H 23.5in. See Bacquart 1998 pp.220-21 Fig 4.

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OTOGHO FACE MASK. Afikpo people, Nigeria. Otogho means to “peck like a bird”. It appears in a dance which comments on boastful men. Wood, raffia, pigment. Exhibited Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p.129 Fig 177.

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ASO OKE CLOTHS (3). Yoruba people, Nigeria. These textiles made from hand woven strips are worn on many ceremonial occasions, particularly those associated with life cycle events like a birth, marriage, or birthday. Aso oke cloth is distinguished by open work and warp float threads. Open work holes provide ventilation. In the 1970s, lurex, metalized plastic threads were introduced, creating a glittery effect. (A) Beige and white with weft designs including silver lurex. Open work with warp floats. Cotton, lurex. L 76.5in W 51in. (B) Turquoise and white with silver and gold lurex. L 67.5in W 56in. (C) Turquoise stripes with gold and shimmering green designs on beige and green strips. Open work and warp floats. L 76in W 52in. See Clarke 1997 pp. 94-111.

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BRACELETS (5). Each on custom base. (A) Dogon people. Collected in Mopti, Mali. Wood. 5in. (B) Lobi people, Burkina Faso. Iron. W 5in. (C) Lobi people(?), Burkina Faso. Copper. W 5in. (D) Dogon people(?), Mali. Excavated near Bandiagara. Native smelted iron. W 5.25in. (E) Baule people, Ivory Coast. Hollow, hinged form. Copper 4.25in

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FACE MASK. Baule people, Ivory Coast. A hornbill bird and the horns of an antelope are perched on top of this mask worn at various non-religious ceremonies, including greetings to visiting dignitaries. A bar inside the mask was held in the wearer’s mouth. Wood, pigment. H 18in. See Bacquart 1998 pp. 49-50.

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CHIEF’S DOUBLE GONG. Mbele people, Cameroon. The handle is wrapped in ndop indigo cloth to which cowrie shells were sewn. Cowries were used as currency and are an insignia of wealth in this context. Iron, cloth, cowries. H 21in.

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CEREMONIAL SWORD (EBEN). Fon people, Benin. The eben is the emblem of Ogun, the god of iron, who is the deity of farmers, hunters, warriors and blacksmiths. As such, he is represented by iron swords and staffs. The eben is carried by Benin chiefs and the Oba (King) to honor ancestors. As in this case, it is often anointed with white pigment libations, a reference to ancestors, that has been applied many times to this very old example. On custom base. Iron, pigment. H 18.25in.

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MAN’S PRESTIGE CLOTH. Baule people, Ivory Coast. This fine hand sewn strip cloth was hand woven by Phillipe Kooame Konan in the village of Asie N’ga Hakro. Some weft blocks are enriched with indigo yarn. Collected in 2003. Cotton. L 100in. W 66.5in.

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TRADITIONAL PRE-COIN “PENNY” CURRENCY. Kissi people, Guinea/ Liberia/ Sierra Leone. Single or bundled twisted iron rods were widely used as currency by the Kissi people. Singly, these rods had lesser value, hence the term ‘penny”, whereas a bundle such as this example was used for important transactions such as bride price. The T-shaped tops were referred to as wings or ears (nileng) and the flat sections at the other end were the feet (kodo) or tail. On custom base. H 23.5in.

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HUSBAND AND WIFE NEAR LIFE-SIZE PUPPETS SEATED AT A FOLDING TABLE. Ewe people, Ghana. Collected in Vakpo village from Edem Akoto who carved them to represent his parents in their home village in the Volta region. The clothing was sewn by a tailor from cloth obtained at the Makola market in Accra and the folding table was made by John Kofi, a carpenter in Vakpo village. (A) Woman wears a blue, black and white cotton checked dress, lace underpants, cowrie shell earrings, a headband, and sandals. Articulated at knees, hips, elbows, shoulder, and neck. Cloth, lace, wood, leather, nails. H 38in. (B) Man wears a brown and beige shirt, pants, and traditional stocking cap, and sandals. His underpants are made from the same cloth as the woman’s dress. Articulated at knees, hips, elbows, shoulders. Wood, cloth, leather, nails. H 37in.

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OLD FEMALE ROD PUPPET DANCE STAFF. Bamana people, Burkina Faso. Collected in a village near the Malian border. She wears a traditional hair style with braids. Arms attached to pulley-like articulations at shoulders are moved by pulling strings. On custom base. Wood, string. H 18 in.

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ADANUDO CHIEF’S ROBE WITH “SCRIPTURES”. Ewe people, Ghana. Collected in Agbozume village. This cloth consists of 19 hand woven, hand sewn strips that are decorated with silk supplementary weft figurative designs (“scriptures”) depicting symbols of royal authority including mighty three engine airplanes (exceedingly rare), stools, buffalos, royal Akan swords, a key and a locket. Each “scripture” has a proverbial meaning. Cotton, silk. L 125in. W 82in. See Gillow 2003 pp. 38-41.

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INGONDA KNIVES (2). Mongo and Konda people, Democratic Republic of Congo. These hand forged ceremonial knives were prestige objects only carried by wealthy men, never used for work but often as weapons. Both probably dating from early 20th century. (A) The central of the three ribs splits to form 2 more short ribs at the splayed end. Both sides of the blade of this example are decorated with spots of faded white pigment. On custom base. Iron, wood. H 20in. (B) The shape of the handle and blade differ from (A). There is a single central rib that branches near the top to form two short ribs. On custom base. Iron, wood. H 17in.

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BLACK AND WHITE BOGOLAN (MUD CLOTH) TEXTILE. Bamana people, Mali. Hand woven, hand sewn country cloth strips with traditional designs hand painted using the bogolan resist method. Cotton. L 60in. W 40in.

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CEREMONIAL HORSE SCULPTURE. Bamana people, Mali. In contrast to the widely known Chi wara antelope head crest, this rare hand held horse form was carried at the end of a pole that fit into a socket behind the head. Various decorative items dangled from holes in the ears. The mouth is open with the tongue protruding as if to speak. Wood. H 30in.

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KASSA WEDDING BLANKET. Peul (Fulani) people, Mali/Niger. Used for warmth and as protection against mosquitoes. Made from seven 8in. hand woven strips L 113in. W 57in.

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WOMEN’S COTTON TIE DYED INDIGO WRAPS (3). All hand woven and hand sewn. Soft texture like old denim. (A) Samo people (?). Extraordinary example depicting helicopters, fish, women in traditional dress, a crocodile, the sun, flowers, birds, a cat and a rabbit. Text reads “Tiendo”. Native repairs. L 84in. W 33in. (B) Lobi people (?). Seven strips, each with 2 rows of arrow head-like dots and chevron design at one end. L 58in. W 40in. (C) Mossi people. Eleven strips with zig-zag design. Tie strap in one corner. L 72in. W 41in. (D) Mossi people. Seven strips with lines of arrow head-like dots. Star design at one end. L 62in. W 33in.

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WAX PRINT CLOTH (3). All wax print cotton from the Malian textile company. (A) Cloth for a dress with school of fish design. L 74in. W 52in. (B) Red hibiscus flowers on orange cloth. Enough for a blouse. L 71in. W 44in. (C) Green cloth celebrating the 47th anniversary of Malian independence on January 20, 2008 and the role of the Malian army in national security depicting tanks, airplanes, and tractors. L 69in. W 43in.

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ODE-LAY SOCIETY HEAD CREST MASK. Temne people, Sierra Leone. Unusual three tier, triple Janus form with identical figures on front and back. At top, women with upraised arms and hands clasped to their coiffure kneel on the heads of fierce rams. The base is formed by Hindu-inspired female busts that are typically found on Temne head crest sculptures. Repainted many times, indicating long history of use. Cloth covering the dancer was hung from nails in the base. Wood, paint, nails. H 27.5in.

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NECK RING. Dogon people (?), Mali. Opens with hinge at bottom. Locking mechanism at top. Ring depicts faces of two bearded men and three cowrie shells. On custom base. Brass. Diameter 8in.

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THREE POINTED THROWING KNIFE. Mbun people, Cameroon. Engraved linear designs on shaft and points. Ex Martial Bronsin Collection, Brussels Belgium. Dated pre-1860. Iron. L 18in.

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F-SHAPED THROWING KNIFE. Kirdi people, Cameroon. Throwing knifes like this were thrown side-arm, rotating around their center of gravity. On custom base. Ex Martial Bronsin Collection Brussels Belgium Dated late 19th or early 20th century. On custom base. Iron. L 22in.

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Pair of birds eye veneer single drawer flip top display cases having clear tops and space for 24 watches, also incl flip top case with space for 24 watches, all three having felt interiors. Not incl watches.

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Pair of watch display cabinets with four interior drawers three for watches one for jewelry with clear tops 10.5" X 10.25" X 16"T. Not incl watches.

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Men's Invicta Reserve speedway watch marked on back "Stainless steel Saphire Chronograph W.R.2000M model No:4943 S/N:082305-13884" having stainless steel band with additional links, in original box.

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Men's Chase Durer Missile Command watch marked on back "All stainless steel Swiss Made Limited Edition 500 Chronograph movement G10.711 W/R100 MT244-08-6" having stainless steel band.

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Men's Invicta Reserve watch marked on back "All stainless steel Swiss made W/R 200MT 660 FT Chronograph movement Flame-Fusion Crystal model No. 6261 Cons. No. 112803-49636" with stainless steel band in original box having additional links.

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Omega seamaster stainless steel watch marked on back "Swiss automatic 08 388 water resistant" with stainless steel band.

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Men's Movado watch marked on back "Swiss made stainless steel water resistant saphire crystal 84 F9 1890 6916162" having stainless steel band.

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Invicta model No.5538 men's sea spider XL watch marked on back "All stainless steel Swiss made chronograph movement water resistant 200MT" having rubber/polyurethane band having additional links. Retail price of $895.

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Men's Invicta reserve speedway watch marked on back "Stainless steel Saphire Chronograph W.R.2000M model No:4914 S/N:082305-11499" having stainless steel band.

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Men's Invicta reserve speedway watch marked on back "Stainless steel Saphire Chronograph W.R.2000M model No:4357 S/N:082305-7266" having stainless steel band.

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Men's Invicta Reserve watch marked on back "All stainless steel Swiss made W/R 200MT 660 FT Chronograph model No. 5628 Cons. No. 112803.14174" with stainless steel band having additional links.

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Men's Invicta 360° watch marked on back "Swiss made Chronogrpah movement all stainless steel water resistant 100 meters model No.4576" with stainless steel band.

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Men's Tissot watch chronograph 200M/660FT marked on back "Stainless steel saphire crystal water resistant 200M since 1853 1662/462 TKO-HA-106823" with stainless steel band having additional link in original box.

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Two men's Chase Durer watches incl Bomber Command Chronograph marked on back "Stainless steel W/R 10ATM Swiss mov't chronograph 001722-00-2 This Medallion Is An Authentic Part Of A Combat Tested B-52 Bomber" with stainless steel band, other marked on back "Wing Swiss movement water resistant 100 Meters GMT 00313-05-6".

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Two men's Citizen watches incl Eco-drive chronograph WR 100 marked on back "St. Steel W.R. 10Bar H50-S015430 HSB Mov't Japan GN-S 400903" other being Eco-drive Skyhawk marked on back "St. steel W.R. 10Bar C651-S019109 HSB 521909 mov't Japan GN-4-S" both having stainless steel bands with additional links.

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Believer to be reproduction Breitling men's watch marked on back E1ANCHE 30M D13022 221" with stainless steel band marked "Registered model Swiss Movt.".

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Believed to be reproduction Breitling men's watch marked on back "Stainless steel back water resistant base metal bezel" with stainless steel band marked "Registered model Swiss Movt.".

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Three men's Invicta watches incl one having blue band marked on back "All stainless steel chronograph movement patent design water resistant 100MT model No. 3170", one with brown genuine leather band marked on back "All stainless steel water resistant 100MT Swiss chronograph movement", one having genuine lizard band marked on back "Signature collection Swiss made W.R.10 ATM/330Ft NO. 7141 patent Design".

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Five men's Invicta watches incl one having rubber/silicone band marked "S1 collection 3853 Swiss made W.R. 100MT", one with black bezel marked on back "Japan Chronograph all stainless steel 100M-water resistant flame-fusion crystal model No.5765" with stainless steel band, one having black face marked on back "Solid 316L Stainless steel Swiss chronograph movement water resistant 100M/300ft model No. 2219" with stainless steel band, one having mother of pearl face marked on back "Since 1837 Model No. 2864 Swiss parts movement saphire crystal all stainless steel 30M water resistant" with stainless steel band, last one marked on back "Model No. 3941 Swiss parts movement all stainless steel 100M-water resistant saphire coated" with stainless steel band.

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Technomarine men's watch marked on back "XSCM 30008 Swiss made registered model saphire crystal 10 ATM water resistant" with genuine leather band.

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Two men's Philip watches incl one with genuine leather band marked on back "Stainless steel Swiss made water res 100M 8271 904 045 chrono quartz movement", other having stainless steel band marked on back "Stainless steel Swiss made water resistant 5 ATM 8273956015 shrono quartz movement".

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Two men's EDOX watches incl one with stainless steel band marked on back "Stainless steel saphire crystal 5 ATM water resistant Swiss made 80057 No.31587 25 Jewels", other having rubber silicone band marked on back "All stainless steel sapphire crystal Swiss made water resistant 300 meters No211795-10004".

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Two Renato men's watches incl one from the "Quadro collection" marked on back "Hand made and assembled 240 grams of pure 316L 50ATM water resistant Swiss movement Ronda 5040.F 14/75 Limited edition" with stainless steel band with Guilloché pattern, other marked on back "All stainless steel movt. G10.71A 10ATM water resistant callezani" with stainless steel band.

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Six men's Invicta watches incl two with stainless steel bands one having yellow face marked on back "All stainless steel Swiss chronograph movement water resistant 200 meters model No. 3212" other having blue face marked on back "All stainless steel Swiss chronograph movement water resistant 200 meters model No 3210", one having a genuine ostrich band marked on back "All stainless steel case Swiss made chronograph water resist 100 meters model 2497", one with genuine alligator band marked on back "All stainless steel case Swiss made chronograph water resist 100 meters model 2617", two with lorica bands one black marked on back "All stainless steel case Swiss made chronograph water resist 100 meters model 2482", one with yellow band marked on back "All stainless steel case Swiss made chronograph water resist 100 meters model 2145".

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12 men's Invicta watches incl three marked on back "Chronograph movement all stainless steel water resistant 50 meters" one with blue face model 2415, white face model 2414, chamelion face model 2417, one marked on back "Swiss movement all stainless steel water resistant 50 meters model No. 2739" with a genuine leather band, one marked "Chronograph stainless steel case 165 meter Swiss movement No. 2340" with Italian pearlized calfskin band, one having red copper head snakeskin band marked on back "All stainless steel water resistant 100 meters model.2671", one from Lupah collection marked on back "Solid stainless steel chronograph movement WR 100 meters tested Swiss made model No.4544 lupah patent No.D485787" with technofiber band, one having orange Lorica band marked on back "Swiss chronograph movement 316L stainless steel case 100-M water resistant patent design model No. 9814", orange faced watch marked on back "Solid stainless steel 316L water resistant patent design Model No. 2516 Lupah patent No. D485767" having genuine leather band, one having black genuine leather band with yellow and white face marked on back marked on back "Swiss parts movement solid stainless steel 316L water resistant patent designs model No. 2392 Lupah patent No. D485767", one with yellow Lorica band with yellow face marked on back "Swiss made all stainless steel water resistant 100 meters model.2583", last one with black Lorica band having pink face marked on back "Swiss chronograph movement water resistant 100M/300ft solid 316L stainless steel model No.2479 Lupah patent No.D485767", in felt lined wood case.

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12 men's Invicta watches incl one having black Lorica band marked on back "All stainless steel Swiss made patent design water resistant 100 MT model No.3861", one with black genuine leather band marked on back "All stainless steel Swiss made water resistant 100 meters mechanical mov't model No. 3033", one with blue Lorica band having blue face marked on back "All stainless steel Swiss made chronograph movement water resistant 100 meters model No. 2138", one with dark blue genuine stingray band marked on back "Sapphire crystal water resistant 50 meters Swiss chronograph No. 2370", one with red genuine leather band and red face marked on back "All stainless steel chronograph Mov't water resistant 100MT model No.2757", one with black genuine ostrich band marked on back "All stainless steel automatic movement water resistant 50 meters Swiss made model No. 2409", one with stainless band marked on back "Swiss chronograph movement all stainless steel water resistant 100 meters Swiss made model No. 2577 Lupah patent No. D485767" having broken crown, one with black genuine leather band marked on back "All stainless steel chronograph movement water resistant 100 meters model No. 2814", one having black rubber/silicone band marked on back "patent stainless steel triple time chronograph water resistant 100 MT model No. 2842", one with red genuine leather band marked on back "Stainless steel case 30 meters 18 jewels 2049 Swiss ebauche caliber-3602", one with brown genuine ostrich band having rotating face marked on back "Solid stainless steel Swiss mov't water resistant 50 MT model No. 2436", one with white genuine ostrich band marked on back "Swiss made all stainless steel water resistant 100 MT chronograph model No. 2664", in felt lined case.

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Eight men's watches incl Seiko chronograph marked on back "Water resistant 10 bar St. Steel movement Japan 7162-0AM0", Ritmo marked on back "Swiss made automatic water ressistant50M solid stainless steel No.0431", Android retrograde chronograph marked on back "Solid stainless steel W.R.100M/330FT designed in USA Swiss chronograph movement 6 jewels" with genuine leather band in original box, Officina Del Tempo watch marked on back "Cassa in acciaio Solido 316L Ital limited 2 disegno registrato impermeabile a 5ATM", SWI Lucerne marked on back "Swiss movement 3ATM water resistant all stainless steel" with genuine leather band, Croton watch marked on back "Chronomaster All stainless steel 5ATM-165 feet water resistant Japan quartz" with red genuine leather band, Elysee power reserve automatic marked on back "All stainless steel 3ATM water resistant 49013S", Cerruti 1881 watch marked on back "Swiss made water resistant 50M sapphire crystal 461.011/051" with stainless steel band.

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Grouping of watches incl Lancaster, Nicolet, Nautica, Graham, Clerc Geneve, Sector Expander, Lucien Piccard, Pirelli, Tissot, Festina, ESQ, Kool, Adidas, Pulsar, Bvlgari, etc.