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1999 Harley Davidson V-Twin believed to be model XL883 with chrome luggage rack, "Screamin Eagle II" exhaust, belt drive, disc brakes and 5 speed transmission. VIN# 1HD4CJM12XK133549. Odometer reading 7,144.

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1999 Kawasaki Vulcan Drifter 1500 V-twin with disc brakes, sissy bar, luggage rack, saddle bags, wind screen, "Cobra" exhaust. VIN# JKBVNAJ18XA001640. Odometer reading 19,440.

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Vintage hats, some with Bakelite adornments. Some are from France. 20's, 30's and 40's, (3) from early 60's. Day hats, formal, funeral, dress hats, velvet, lace, veils, feathers, jewels, beading, sequins, Bakelite and fancy adornments. Vintage hat boxes from Bon-ton, Champ, The Outlet. Approximately 30 hats in all.

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Beautiful vintage 1930's and 40's clothing including sheer black gloves with ruffled cuff, vintage Grandoe pink gloves, vintage kidskin gloves, vintage pearl opera length gloves, vintage cream 2 piece long outfit with ornate cording detail on collar, 8 dresses, 3/4 length brown suede coat with buff color mink collar, Leslie Faye 2 piece dress, short black lamb jacket with 3/4 sleeve and mink collar, sheer black dress over cream lace under blouse, patchwork fur cape with matching muff from National Cloak and Suit Co. NY, seal muff with zipper in back, Indorable California black jump suit, fur collars, fur muffs, black lace jacket with velvet collar, black lace shrug, white long dress with silver sequins has some rust spots, hand crocheted full size bedspread with popcorn stitch and pointed edging. Clothing is average size 12 - 14.

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Vintage jewelry and purses including rare rhinestone ID bracelet, rhinestone expandable bracelet, rhinestone drop necklace, 1950's brown Lucite box purse, Whiting and Davis gold purse, beaded pearl clutch, 1960's Sarah Coventry with cab stones, floral carved bracelet, white stone Sarah Coventry bracelet, white stone ring, vintage Timex watch, vintage Bulova watch, 2 rings, 2 pairs of rhinestone screwback earrings, rhinestone long drop earrings, Damascene Mt Fuji temple earrings, 6 bracelets, 2 necklaces, 1 pr hair combs.

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Antique graters and vintage kitchenware including 2 antique tin cookie cutters, poached egg maker, 2 yellow ware bowls, large and medium, tin mugs, tin qt measuring cup, Tablecloth not included.

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31 Sandy Gore Evans Snowman, small and large and other pieces.

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Thousands of vintage buttons including Bakelite buttons and belt buckles, hatpins, rhinestones, metal, plastic. In 13 tins.

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Antique and vintage Mexican pottery including 2 hot chocolate molinilos, 4 sets of serving bowls, mortar and pestle, salt and pepper, bean pots, Weller pottery, beaded coasters, 2 metal covered wood trays with girl and boy designs. Approx 70 pieces.

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Horizon of Hope breast cancer Longaberger baskets from 1996 - 2007. 13 baskets.

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Dept 56 Dickens Village including Gad's Hill Place, The Pied Bull Inn, Heathmoor Castle, Knottinghill Church, Sir John Falstaff Inn, Moreston Steak and Kidney Pie, Faversham Lamps and Oil, Tower of London, Christmas Carol Reading, The Old Globe Theatre, 11 buildings.

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Dept 56 Plus other buildings including Hawthorne Noel Chapel, Dept 56 North Pole series Candy Cane and Peppermint, Gift Wrap and Ribbons, Snow covered trees, Salvation Army Band, Mill Creek Pond, Choirboys all in a Row, Holly Tree, Snow Village A Home for the Holidays, Birch Tree Cluster, E Staubr Backer, Hawthorne Merritts Cottage, 11 Dept 56, 2 Hawthorne.

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Crystal pieces including cut glass candy dish, 18 bells, Etched MOM amber glass bell, Amethyst glass bell, vases, pitchers, decanters, sugar creamers, toast holder, much more. Approx 36 pieces.

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NASCAR cars in Lucite cases with original boxes. From 1995 - 2005 including #23 Winston, #5 Honeycrunch, Dale Earnhardt Lumina, Dale Earnhardt Japanese, Bill Elliot Budweiser Stein, 20 baseball caps, Daytona 500 Collectors Pack game, Terry Labonte print, Includes cases attached to wall, must be removed. TV and other items in photo not included. Approx 80 cars.

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2003 Cross County trailer. VIN# 431FS081832000298.2003 Cross Country trailer. VIN# 431FS081832000298.

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1999 Ford F-450 Dump truck, Vin#:1FDXF47FXXE359650, odometer reading 50635, Runs and drives, 4X4 9' dump, 9' fischer plow, needs ball joint tailgate release rod.

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Four piece cherry and black library or office suite from OFS. 2 piece credenza and hutch has lighted shelves, brass hardware and grids on glass doors with adjustable shelves. Bottom credenza is 30.5"Tx72"Wx19"D with 2 doors and 7 drawers; top hutch is 49.5"Tx65"Wx14.5"D. Total height is 80". Desk has 7 drawers including 2 heavy duty filing drawers and 2 pull out writing surfaces with brass hardware and measures 30.5"Tx72.5"Wx36"D. Also includes 2 drawer heavy duty lateral file with cherry top. Mostly wood with some particle board. Very heavy. Basement to garage staircase. Bring assistance for safe removal.

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Three Oriental Weavers nylon rugs, lovely salmon color with tan borders and blue gray tones. Includes two 5'3"x7'6" rugs and one 90"x22.5" runner. No spots or stains.

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Spectacular Bernhardt dining room suite includes ornately carved marble top breakfront, table with 2 leaves, 4 chairs, porcelain bowl and complete set of custom pads. Table with curved edges and patterned top has exquisite wood grain. Table without leaves measures 30"Hx76"Lx46"W. With two 18' leaves, it extends to 112"L. Beautiful marble top breakfront has ornate brass hardware, 3 drawers, 4 doors, adjustable shelves and measures 41"Tx75'wx24"D. 4 elaborately carved chairs with European floral upholstered seats measure 42"Tx24"Wx19"D. Very thick, solid wood. Includes a complete set of custom cut 1/2" thick table pads. Was $20,000 new. Small scratch on one leaf. Bowl is 15" rnd. Basement to garage stairway. Very heavy, bring assistance for removal.

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Domain media cabinet. Hand painted distressed finish in ivory and greens with oil rubbed bronze knobs. 4 doors with storage on bottom. Doors have double hinges and fold back flat to sides. 85.5"Tx47"Wx25"D. Wired for electronics. Can be used as media center, bar, bookcase, etc. Basement to garage stairway. Bring assistance for removal.

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Maytag Atlantis washer and dryer. Each piece is 43"Tx27" Sq. Dryer is model MDE6400AYW. Washer is MAV6548AWW. Like new. Basement to garage stairway. Bring assistance for removal.

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KIFWEBE FACE MASK. Songye people, Democratic Republic of Congo. This female kikashi mask lacks the saggital crest that typifies a male kilume mask. The mask belongs to the men’s Bwadi Society and is danced at various ceremonies including funerals of Society members. H 22in. Wood, pigment. See Rosen, Rosen 2013 p. 174-177. Exhibited Free Library Gallery Philadelphia 2012.

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NDUNGA FACE MASK. Woyo people, Democratic Republic of Congo. The Woyo people, a subgroup of the Kongo people, are known for large, polychrome masks such as this. The colorful dots and brass tacks are said to have various meanings. It is worn with a bulky costume of banana leaves. The complete ensemble is called ndunga, meaning enormous and hidden. H 17in. Wood, brass tacks, pigment. Published in Rosen, Rosen 2013 p. 188.

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ROYAL BEADED STOOL. Bamum people, Cameroon. Probably used by a Chief’s wife. H 11.5in. Glass beads on traditional ndop indigo-dyed cloth, wood.

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CHI WARA HEAD CREST MASK. Bamana people, Mali. This mask represents the mythical roan antelope that the Bamana people believe taught them to farm. This example shows the antelope surmounted by an abstract human figure who may represent a farmer, and long antelope horns. H 20.5in. Wood, pigment. See Rosen, Rosen 2013 p. 94-95.

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WOMAN’S DANCE SKIRT PANEL. Shoowa subgroup of Kuba people, Democratic Republic of Congo. This old skirt has a large rectangular panel of red cut pile and embroidered raffia textile with typical geometric designs that are replicated in the attached borders. L 60in. W 22in. Hand woven and hand sewn cut pile and embroidered raffia, natural pigments. See Gillow 2003 p. 196-201 and Spring 1989 plate 14. Exhibited Pen and Brush Gallery New York City 2002.

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BOGOLAN (MUD CLOTH) TEXTILE. Baule people (?), Ivory Coast. Although bogolan is usually associated with Mali, it is also produced in neighboring countries such as Ivory Coast. The delicately drawn designs on this fine, soft hand woven cotton strip cloth replicate the decorative pattern that would be found on a fringed, strip woven blanket or wrap from Ivory Coast. It was a technical feat to have the hand drawn bogolan designs on the eight hand sewn strips match so perfectly across the textile. L 61in. W 33in. Cotton.

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ZAKPAI OR GE (FIRE) MASK. Dan people, Liberia, Ivory Coast. Male masks of this type are covered by red cloth or have a strip of red cloth across the wide open, round eyes. The beard and moustache indicate the higher ancestral status of the mask. Metal rings around the eyes were lost leaving traces of the adhesive material that held them in place. The three remaining teeth may be fish bones. H 9.5in. Wood, cloth, twine, fur, plant fibers. Published in Rosen, Rosen 2013 p.23, Fig 15. Exhibited Free Library Gallery, Philadelphia 2012.

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STANDING MALE ANCESTRAL FIGURE. Senufo people, Ivory Coast. This figure has the elongated face, pouting lips, and t-shaped nose found in Senufo Poro Society masks. The elongated torso and arms, and short legs resemble those of a Senufo rhythm pounder (pombibele) sculpture that is used to signal the beat in ceremonial dances. The shape of the base as well as wear on the sides of the arms and bottom of the base suggest that this sculpture may have been used in this fashion. H 9.75in. Wood, pigment, See Bacquart 1998 p. 74-76.

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KPELIYE FACE MASK. Senufo people, Ivory Coast. This mask gains power from the chameleon on the top, an animal endowed with supernatural powers because it can change the color of its body. The central appendage below the chin is a beard. Legs are represented on either side of the chin, and the lateral appendages are wings. It is worn during Poro Society ceremonies seeking to counter dangerous spirits. H 13in. Wood, pigment. See Bacquart 1998 p.74-76.

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MATERNAL ANCESTOR FIGURE. Hemba people, Democratic Republic of Congo. This seated woman nursing an infant has the typical characteristics of a Hemba figural sculpture: short legs, an elongated torso, and an enlarged head with a backward swept coiffure held in place by a band arching over the forehead. Custom base. H 12in. See Bacquart 1999, p.160-163.

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RARE INDIGO AND WHITE WOMAN’S WRAP. Ewe people, Togo. The indigo and white strip pattern in this very old cloth is broken up by interspersed red and pale blue weft blocks. This represents the precursor to the pronounced weft block designs found in later Ewe and Asante kente cloth. It was collected in the Ewe region of Western Togo. Entirely hand woven and hand sewn. L 64in. W 43in. Cotton.

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EXTRAORDINARY OKUYI FACE MASK. Punu people, Gabon. Okuyi masks, representing an ideal female face, are danced at funerals and festivals. This exceedingly unusual example features a unique, finely carved coiffure consisting of two tall braided cones as well as lateral braids that encircle the face and are knotted below the chin. The considerable age of the mask is evidenced by darkening of the white facial kaolin pigment. Typical scarifications are present on the forehead and temples. H 13.5in. Wood, pigment.

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PROCESSIONAL CROSS. Coptic Christian people, Ethiopia. The three round cartouches with doors depict saints and angels. Mary and baby Jesus are depicted behind the central arched doors. All images are hand painted. The cross is affixed to the top of a pole when carried in a procession. Processional crosses such as this one with painted icons are not common. H 18in. Alloy of silver, nickel, and other metals.

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INDIGO WOMAN’S WRAP. Asante people, Volta region of Ghana. This textile consists of 14 hand woven, hand sewn strips with 4 different warp stripe designs. L 78in. W 49in. Cotton. Exhibited at Pen and Brush Gallery, New York City 2005. See Adler, Barnard 1992 p. 10, 24 for descriptions of the warp stripe designs.

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ANIMAL GOLD WEIGHTS (3). Ivory Coast. Used to weigh gold on a balance scale. Crocodiles sharing a body refers to the saying, “There is no need to fight over the food; it all goes to the same stomach”, meaning cooperation is better than conflict. Rooster H 2.5in. Warthog H 1.5in. Crocodiles W 2.5in. Brass.

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MVUNDI OR YOYO FACE MASK. Aduna people, Gabon. The Aduna mask has been described as “one of the oldest known masks in Equatorial Africa and Gabon.” It is typified by the dome-shaped forehead, slit eyes, triangular block nose, butterfly-shaped mouth as well as the brown and white coloration distributed in contrasting geometric patterns. H 19in. pigment. See Phillips 1999 p.515.

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JANUS HEAD CREST MASK. Temne people, Sierra Leone. The female bust at the base of this Ode-Lay Society mask and the kneeling female figures on the top have Hindu-inspired features. Between the kneeling women there is a bust of a ferocious leopard. In combination with the two snakes, the features of this mask are a reference to the water spirit, Mami Wata. Carved from a single piece of wood. H 28in. Wood, paint. Exhibited Free Library Gallery, Philadelphia 2012. Published in Rosen, Rosen 2013 p. 80.

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STOOL. Jima people, Ethiopia. Carved from a single log. Diameter of seat 17.5in. H 14.25in. Wood.

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PICTORIAL BOGOLAN TEXTILE. Bamana people, Mali. The picture was painted with the bogolan (mud cloth) technique using natural pigments on cloth made from 8 hand woven, hand sewn cotton strips. It depicts a bearded farmer with a hoe over one shoulder returning to his home with his dog. One of his wives is pouring milk into serving bowls while a second wife is carding cotton to make thread for weaving. Malian textiles such as this are difficult to acquire since a military coup destabilized the country and Jihadi activity has increased. L 63in. W 43in. Cotton.

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ANIMAL GOLD WEIGHTS (3). Ivory Coast. Used to weigh gold on a balance scale. Porpoise W 2.25in. Sea turtle W 3.75in. Land turtle W 2.75in. Brass.

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ELU FACE MASK. Ogoni people, Nigeria. This mask has an articulated mandible. The masker is able to open the jaw with his mouth and snap it shut with a click. Elu masks are caricatures of members of the community. They comment on past and recent humorous and tragic events. The particular subject of an Elu mask is only made evident by the performance and accompanying songs. This mask wears what appears to be a mariner’s watch cap. As is true of most Elu masks, the face is whitened with kaolin paste. The frontal and temporal scarifications are reminiscent of similar features on Okuy face masks of the Punu people in Gabon (see Lot #12). Although some Elu masks have teeth, this mask was made without teeth. H 9in. Wood, pigment. Exhibited Free Library Gallery Philadelphia, 2012. Published in Rosen, Rosen 2013 p. 108-117.

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FACE MASK. Anang (Ibibio) people, Nigeria. Anang masks are rare in Western collections. They usually appeared in religious and social festivals. The Y-shaped post is a reference to the confluence of the Niger and Benue Rivers in Nigeria. The complex of a post supporting an eagle flanked by horses is inspired by the Nigerian national coat of arms. The mask was held in place by a rubber strap cut from a bicycle tire inner tube attached to the back. The facial marking represent tattoos. Masks such as this from Southeastern Nigeria have been decorated with bright commercial paints since the 1930s. H 19.5in. Wood, paint, nails, rubber. Exhibited Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p.150.

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SLINGSHOT WITH MALE FIGURE. Dogon people, Mali (?). On custom base. H 7in. Wood, pigment.

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FACE MASK. Lokko people, Sierra Leone. Masks such as this are worn in Jolly Society “fancy” dress masquerades. Extensive wear attests to the age of the mask. H 11in. Wood, paint, string. Exhibited Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p.87 Fig 113.

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HELMET MASK. Mende people, Sierra Leone. The forehead is framed by a carved string of cowrie shells and the plaited hair is held in place by a large comb. Small metal stud earrings are present. The dull patina is a result of the mask having been stored in water for protection against insects. Before use, the mask would be brought to a shiny patina with pigment and oil. Custom base. H 15.5in. Wood, pigment, metal. Exhibited Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p. 41 Figs 41-42.

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INDIGO AND WHITE WOMAN’S WRAP. Ewe people, Togo. This kente textile consists of 12 narrow hand woven, hand sewn strips. Note the unusually intense indigo blue color. L 76in. W 41in. Cotton, indigo pigment. Exhibited Pen and Brush Gallery New York 2009.

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MAN’S KENTE WRAP. Ashanti people, Ghana. The name of this cloth, “mmako nyinaa mpatu mmere” is translated as “all peppers do not ripen at the same time”. This is a metaphor for the idea that everything can happen in good time, so it is not useful to be impatient; appreciate what you already have. This cloth was collected in Bonwire Ghana, an Ashanti weaving center. It was woven by Nana Akwasi Amoah more than 60 years ago. It consists of 16 hand woven hand sewn strips. L 106in. W 54in.

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KARIKPO FACE MASK. Ogoni people, Nigeria. This mask is worn during rituals honoring ancestors at the beginning of agricultural festivals. The dancer mimics the darting movements of the bushbuck antelope. H 32in. Wood, pigment. Published in Rosen, Rosen 2013 p. 118 Fig 162.

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BOOAG FACE MASK. Kwele people, Gabon. This mask depicts the face of the bongo antelope. It is danced during rituals of the Bwete Society to counter the dangerous effects of witchcraft. H 21in. Wood, pigment. Published in Rosen, Rosen 2013 p. 170 Fig 240.

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DUGA SOGO BÒ HEADCREST MASK. Bamana people, Mali. Worn on the top of the performer’s head, this mask represents Duga, the vulture, in the Sogo Bò puppet and masked performance spectacle. The vulture who flies long distances in search of food is a metaphor for a patient and persevering hunter who ranges far and wide in search of prey. Rings on the neck display the national colors of Mali. H 32in. wood, pigment. Published in Rosen, Rosen 2012 p142 Fig. 160 where the size is misprinted.

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ETOSHI ROYAL FIGURE. Dengese people, Democratic Republic of Congo. Statues of the Dengese King, Etoshi, such as this are typically sculpted without legs. Neighbors of the Kuba people, the Dengese are noted for elaborate body scarifications that resemble the geometric designs found in Kuba textiles (see Lot #5). H 17.5in. Wood, pigment. See Bacquart 1998 p. 172-173.

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COLORFUL HAND CRAFTED BEADED BRACELETS (4). West Africa. 3in-3.25in. Beads, leather.

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CROSS PENDANTS (7). Ethiopia. Worn by Ethiopian Coptic Christians. One unusual pendant is hinged. 2in.-3in. Silver-nickel alloy.

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NECKLACES (3). West Africa. A). Chain with metal beads and 3 amber beads, probably from Niger 21in. B). Chain with small black beads and large silver alloy pendant marked “EC+” on the back from Tuareg people in northern Mali 18in. C). Chain with small black beads and 9 small silver alloy fan-shaped pendants from Tuareg people in northern Mali (18in). Jewelry from the Sahel southern Sahara region, especially the Tuareg, is now difficult to obtain because the region is occupied by Al Quaeda and Islamic State Jihadi groups.

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ANIMAL GOLD WEIGHTS (3). Ivory Coast. Used to weigh gold on a balance scale. Mudfish with curled tail W 2.5in. Roan antelope W 2.0in. Long-horn Zebu cattle W 2.5in. Brass.

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FACE MASK. Mossi people, Burkina Faso. This very old mask depicts a hornbill bird who is imbued with great spiritual power coming from its reputed ability to communicate with ancestors. The incised chevron design over the surface with remnants of white pigment is typical for Mossi sculptures. The masker holds the rope behind the beak in his teeth and peers through the gaps in the beak. H 25in. Wood, pigment, rope.

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RARE SILK WOMAN’S PRESIGE WRAP. Ewe people, Ghana. This cloth, said to be 80 years old, was collected in Keta in eastern Ghana. It consists of 13 hand woven, hand sewn cream-colored silk strips with numerous hand- embroidered decorations including a rooster, elephant, comb, necklace with heart locket, parrot, key, hand, etc. L 80.5in. W 45in. Silk, cotton. Exhibited Pen and Brush Gallery New York 2008.

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NGIL FACE MASK. Fang people, Gabon, Cameroon. These masks are worn by members of the Ngil Society during nocturnal initiation ceremonies or in the course of ceremonies to punish witches and criminals. H 28in. Wood, pigment. Exhibited Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p.171 Fig. 242.

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WOMAN’S KENTE WRAP. Ashanti people, Ghana. The warp design of this cloth is called Apea akosi meaning “Apea also fought well”. It commemorates Apea, a weaver in Bonwire who lived during the reign of King Kosi Bodum (1742-1752), and honors the ingenuity, creativity, and hard work associated with kente weaving. The head or end border includes the following patterns: wotoa (snail’s bottom), ntabon (weaving swords), and babadua (segmented bamboo cane). The cloth it reported to have been woven in Bonwire by Nana Kwame Besire. It consists of 14 hand woven, hand sewn strips. L 80.5in. W43in. Cotton.

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OLOJU-FOFORO FACE MASK. Yoruba people, Nigeria. Face masks are rare among the Yoruba people. Oloju-foforo means “the owner of deep set eyes”. Masks such as this were used by the Ekiti Yoruba during various festivals. The central kneeling female figure is a priestess of Oshun, the goddess of curative medicinal waters. Her right hand holds a string of cowrie shells and her left hand rests on a female attendant who holds a bowl for offerings to the goddess. H 31.5in. Wood, pigment. Exhibited at Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p. 132 Fig 182.

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FRAMED TUAREG PENDANTS. Tuareg people, Mali, Niger. The Tuareg are nomadic people who traverse the southern and central Sahara Desert. They consist of multiple sub-tribes each of which is identified by a unique pendant design. This framed presentation contains 21 identified pendants. The frame is covered with leather tightly applied to carved wood. H 16.5 W 18in. Metal, glass, wood, leather, paper.

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MAN’S OYOKOMEN KENTE WRAP. Ashanti people, Ghana. This beautiful cloth has the Oyokomen warp pattern of alternating red, green and gold bands. It is named after the Oyoko clan of the Asantehene or King of the Ashanti. The weft designs at the head or ends are ntaban (weaving swords) and akyem (wickerwork shield). L 124in. W 82in. Cotton, silk.

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WOKULON SOGO BÒ FACE MASK. Bamana people, Mali. Wokulon is a bush spirit who protects villages against evil forces. He appears as a masked figure in Sogo Bo puppet performances. H 16.5in.Wood, paint. Exhibited at the SMA Fathers Museum of African Art Tenafly NJ 2009 and the Free Library Gallery Philadelphia 2010. Published in Rosen, Rosen 2012 p. 148 Fig 174.

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FACE MASK. Guru people, Ivory Coast. This old mask was previously painted as evidenced by small patches of pink exposed under the blue surface. It is not unusual for an African mask to be repainted over the years if it is prized by its owner. A ram’s horns and an elephant are represented. H 12in. Wood, paint.

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KNEELING MATERNITY FIGURE. Dengese people, Democratic Republic of Congo. H 15.5in. Wood, pigment.

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WOMAN’S COMMEMORATIVE CLOTH (3). Mali. The red cloth commemorates “ Programme National de Lutte Contra la Practique de l’Excision” (National Program Against Female Circumcision) celebrated February 6, 2008. L 75in. W 45in. The orange cloth proposes awarding the 2005 Nobel Peace Prize to 1000 women as a way to recognize women’s efforts to promote world peace. L 72in. W 42in. The third, multicolored cloth celebrates the “International Day of Women” on March 6, 2006. L 62in. W 39in. All printed on cotton cloth by Comatex SA in Mali and collected in Bamako, Mali in 2008.

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47. ASAFO MILITIA FLAG. Fante people, Ghana. With this flag, the No.1 Company warns its rivals that it is as dangerous as a provoked buffalo in the bush. The hunter wounded the bleeding buffalo that has hoisted the hunter on his horns and is trampling the hunter’s rifle. The corresponding proverb is, “The buffalo catches the hunter when it has been annoyed”. The word “Company” is rarely spelled out on Asafo flags as it is here. The figures are hand sewn with embroidered details. The canton is the Ghana national flag indicating that this flag was made after independence in 1957. The exact same images are present on both sides. L 42in. W 66in. Cotton. Exhibited at the Free Library Gallery Philadelphia 2013 and SMA Fathers Museum of African Art Tenafly NJ 2015. Published in “Emblems of Power: Asafo Flags From Ghana” p. 72 Fig 59 which is only available from the authors on line at ppr2001@med.cornell.edu.

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FACE MASK. Urhobo people, Nigeria. This old, white-faced mask wearing a European-inspired crown may represent an ancestral spirit. The wearer is able to see through slits in the cheeks. Masks such as this sometimes appear in pairs representing a King and Queen. Note the foam pad on the inside that protects the wearer’s forehead. H 17in. Wood, paint, foam. Exhibited at Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p.122 Fig.168.

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LEOPARD HEAD CREST MASK WITH ARTICULATED JAW. Yoruba people, Nigeria. This old, fearsome mask was acquired in Lomè, Togo. Wearing it on the top of his head, the masker is able to see through the open mouth with an articulated lower jaw. H 15in. Wood, paint, cloth.

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AFRICAN PENDANTS (6). Eleven crocodiles encircling a sun disk Mali 5.5in. brass. Bell 2in. copper. Frog 1.25in. copper. Butterfly 1.0in. copper. Coptic cross Ethiopia 3in. silver-nickel alloy. Star of David 1.5in. Ethiopia silver-nickel alloy.

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HEDDLE PULLEY. Ashanti people, Ghana. This old anthropomorphic heddle pulley shows considerable aging from exposure to the elements in a traditional outdoor weaving shed. It may also have been anointed with libations. On custom mount. H 12in. Wood, metal.

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PLANK MASK. Mossi people, Burkina Faso. Masks such as this are performed at events such as the start of spring planting or fall harvest seasons and at funerals, The context is explained by the accompanying songs and music. The dominant theme of the mask is birds, probably owls, which have large eyes and especially keen eyesight. H 36in. Wood, pigment.

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MAN’S FUNERAL WRAP. Ewe people, Ghana. This exceptional Ewe kente cloth has muted tones dominated by brown that is coordinated with green, red, orange, and blue warp stripes that are evident in the less decorated selvedge strips. In addition to the elaborate double woven weft bars, there are numerous weft decorations of symbolic significance called “scriptures” in Ghana, including spear points and Western-style hats. 18 hand woven, hand sewn strips. Collected in Kpetoe, Ghana, an Ewe weaving center. L 108in. W 63in.

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KE DUNEH CRESTED FACE MASK. Winiama people, Burkina Faso. This mask represents a mythical bush spirit with a large curved horn. The horn on this mask is exceptional because it forms a complete circle which is rarely found in Ke Duneh masks. The appendage at the lower edge of the face serves as a handle that the performer holds and uses to move the mask. This feature is common on masks from Burkina Faso. The masker is covered by a voluminous costume made from plant fibers dyed red. He looks through the mouth. H 24in. Wood, pigment. Exhibited at the Free Library Gallery Philadelphia 2012. Published in Rosen, Rosen 2013 p. 104 Figs 138-139.

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MATERNITY FIGURE. Lokko people, Sierra Leone. Brightly painted figures are typical of Lokko art The authority of the figure is enhanced by placing her on a Western-style high back chair. The scarf adds a dramatic flourish contrasting with her yellow skin. A sculpture such as this would be placed in a woman’s personal altar at home. H 17.5in. Wood, paint, cloth.

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BLOLO SPIRIT SPOUSE. Baule people, Ivory Coast. This finely carved figure personifies a spirit referred to as a spouse who helps solve personal problems by giving advice in a person’s dreams. The statue is kept in the owner’s room where it is offered libations. This tall example has numerous traditional scarifications. On custom base. H 26in. Wood, pigment. See Bacquart 1998 p.48-49.

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HORNBILL MASK. Nuna people, Burkina Faso. The hornbill bird is long-lived and mates with a single partner for life. While the female sits on the nest incubating eggs, the male brings her food. According to Nuna tradition this relationship confers special powers on the hornbill that are associated with the spirit world of ancestors. The significance of the mushroom-shaped structure is uncertain. The wearer grasps a rope at the base of the beak with his teeth and peers through the partly open beak. H 28.5in. Wood, pigment, string. See Roy, Wheelock 2007. p.396.

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FACE MASK. Bembe people (?), Democratic Republic of Congo. The large, concave white circles in which the eyes are set and the triangular design on the neck suggest that this is a Bwami Society mask that is used in circumcision rituals. H 18in, Wood, pigment.

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MALE FIGURE. Temne people, Sierra Leone. On custom base. H 14.5in. Wood, pigment.

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ELU FACE MASK. Ogoni people, Nigeria. Elu masks used in social and religious rituals of men’s secret societies have an articulated lower jaw that can be opened by the wearer and snapped shut with an audible click. This mask has a scarification on the forehead, a full row of teeth in the lower jaw, and a serene facial expression. The white pigment that covers the face has darkened with age. The sloping, protruding nose is typical for anElu mask. H 7.5in. Wood, pigment, rope. See Rosen, Rosen 2013 p.108.

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TOPOKE OR LIGANDA SPEAR CURRENCY. Topoke and Turumba people, Democratic Republic of Congo. Derived from the shape of a spear point, this type of pre-coin currency was in use in the 19th and early 20th century in the region around Kinshasa. A slave could be bought with 30 and a wife with 40 to 50. First brought to Europe around a curiosity around 1900, they are still uncommon in African art collections. This fine, well-preserved example is decorated with a series of subtle ridges that run along the surface of the blade and flared flanges at the base. It is presented on a custom mount designed for hanging on a wall. H 57in. Iron.

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FEMALE MUIHA FIGURE. Bwa people, Burkina Faso. Muiha figures are used by diviners to seek protection and prosperity for a community to which they belong. The power of this figure is enhanced by the iron necklace and pendant. The crested hair style is typical for Bwa and Mossi sculptures. H 25.5in. Wood, iron, rope. See Roy, Wheelock 2007 p. 422-423.

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EXHIBITION DISPLAY STAND. H 44in. Iron.

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NECK RESTS (2). Arussi and Gurage people, Ethiopia. Neck rests such as this were used to elevate the head of a recumbent person, especially by women with very elaborate hairstyles. Each is decorated with incised motifs. Squares on the rectangular Arussi neck rest represent protective amulets. The Gurage neck rest has a conical base. Arussi H 7.25in. Gurage h 6.75in. Wood, pigment.

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FACE MASK. Anang (Ibibio) people, Nigeria. An eagle with partly extended wings stands on an arched base at the top of this mask. The front of the base bears the partly effaced inscription, “Made in China” that may be a reference to the poor quality goods from China that flood African markets. In this context, the eagle represents Nigeria standing above such cheap stuff. The full meaning of the mask is revealed in performance. The face has vaguely Oriental features that are commonly found on Anang masks. The markings on the face represent tattoos. H 20.5in. Wood, paint, mirrors. Published in Rosen, Rosen 2013 p. 150 Fig. 210.

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NAMA SOGO BÒ FACE MASK. Bamana people, Mali. Nama is the hyena, an effective and intelligent hunter. The mask represents the wisdom of community elders in Sogo Bò puppet and mask performances. H 12.5in. Wood, paint. Published in Rosen, Rosen 2012 p.119 Fig. 129. Exhibited at SMA Fathers Museum of African Art, Tenafly NJ. 2009

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WARABA SOGO BÒ FACE MASK. Bamana people, Mali. Waraba is the lion, an important bush animal with great power as a hunter and is dangerous to approach. In some situations, it is a metaphor for political authority that must be overthrown if it abuses its power. The mask appears with a voluminous costume in Sogo Bò puppet and mask performances. H 16.5in. Wood, paint. Published in Rosen, Rosen 2012 p. 116 Fig 126. Exhibited at the SMA Fathers Museum of African Art Tenafly NJ. 2009

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2000 Chevrolet Suburban 2500 with Vortec V-8 motor, leather interior, automatic transmission, AM/FM radio, power steering, power windows, rain guard window covers, power locks, bench front seat, three power ports, auto 4WD, 4HI, 4LO, front brush bar, 16 inch 8 lug rims, folding mirrors and privacy glass rear windows. 3/4 ton 2500 HD. Has new brakes, brake lines and tires. Vin #: 3GNGK26U5YG219131. Odometer reading 132962.

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8'x11' colorful area rug by Mahdavi's A&A Co. "Contempo" Collection. Rug is very thick, 100% wool pile, hand tufted, made in India. Excellent condition, no stains. Indentations in rug caused by heavy furniture, however, not damaged. Other items seen in background not incl.

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Two oak glass insert tables with framed metallic signed artwork. Coffee table 42"Lx21"Wx17"H; sofa table 50"Lx17.25"Dx30"H (both with glass inserts and shelf below); gold metallic signed Douglas artwork is dbl matted, framed & behind glass, 43"Wx29"H. All pieces very good cond.

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Two wicker & metal arm chairs (non-matching) with one matching foot stool. each chair approx 33"Wx29"Dx34"H; stool 27"Wx17"Dx16"H. All have removable blue gingham seat cushions & (2) reversible back pillows. All pieces very good to excellent cond.

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G.E. black & white electric stove, like NEW condition with G.E. black cabinet mount microwave. Stove and micro each 30"W and like NEW condition-see photos for condition and features. Appliances will be disconnected prior to pick-up.

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G.E. white top freezer 20.6 cubic feet refrigerator, like NEW condition, 31.25"Wx31.5"D (incl handles) x 66.25"H. Unable to photograph interior, however very clean. Model #TBX21JA. See label for fresh food and freezer features.

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G.E. black potscrubber dishwasher, like NEW condition, 23.75"W. Model #GSD3220Z04BB. See photos for details and other features. Will be disconnected prior to pick-up.

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Three polished brass light fixtures incl one handing stairwell chandelier and two matching ceiling mount suspended fixtures. Hanging fixture approx 55"L with (4) 8" glass discs. All fixtures will be disconnected prior to pick-up.

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Medium wood futon bed with dark blue & white sun & moon design full sized mattress, coordinating & matching throw pillows and 2-pc wicker & metal set. Futon sofa is 7' 1/2"L on a medium stained wood frame (easy to open and close) that unfolds to a full sized bed. Two sets of 2 throw pillows 15"sq & 16"sq. Folding three-tiered wicker & metal shelf 14.5"Wx10"Dx33"H with matching trash pail. All pieces excellent cond. Items on floor seen in background not incl.

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White floral two-arm chaise lounge with queen sized brass headboard. Chaise 5'Lx29"Wx28"H (+ 2" for removable back pillow), removable seat cushion and coordinating throw pillow, sold by Pembrook Chair Corp. Brass headboard only, rounded swirl design 60"Wx44"H. Both pieces very good cond.

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Rattan swivel chair with light tan back & seat cushion and coordinating glass top rattan end table. Chair 31"Wx34"Dx37"H; table 2'x20.5"x15"H. Both pieces very good cond.

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Crate & Barrel contemporary light wood office armoire with pair of matching bookcases. Armoire has pull out key board & printer trays, adjustable top shelf and file drawer (TV and DVD in photo not included), 39.5"W x 23.5"D x 70"H. There is a pre-drilled hole for wires in back of cabinet and may be used as a TV armoire. Pair of matching adjustable four shelf bookcases are not attached, each are 2'W x 16"D x 70"H. Purchased in 2000 for $3,000. All pieces are in excellent condition. They are very heavy and located on 2nd floor. Bring help to remove.